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The Curse of TikTok Brain

Gen Z'southward favorite video app is a approval in a pandemic. Just why does then much of information technology sound the same?

A silhouette of a head with a ferris wheel filled with TikTok logos.

Photo illustration by Slate. Images past Eugene Valter/iStock/Getty Images and alex_profa/iStock/Getty Images Plus.

I downloaded TikTok in April, a calendar month into COVID isolation. The onset of the pandemic saw millennials and olds older still flocking to a grade of entertainment we'd previously associated with bored teenagers in their bedrooms. Going in, I was well aware of the app'due south bug: how its trip the light fantastic toe crazes often left original creators without credit, its heavy-handed censorship of some content, the glace slope toward digital Blackface that information technology paved, and, of grade, that pesky extranational buying of data thing. Nonetheless, cooped upward in my bedroom, I gave it a try—and I was hooked.

Inside TikTok, I immediately inhaled several hours of any the algorithm served upward in my personalized For You feed, feeling continued to the rest of humanity in a way that I hadn't in a month of interacting exclusively with my roommate. I was awash in babies, puppies, and people dancing in their front yards. I sought out users who were making music and was delighted to find teens singing hello to one another in harmony and sharing artistic names for original guitar riffs.

But in the weeks that followed, I discovered some other pitfall of TikTok: It had infected me with an earworm.

Anytime I opened up the app, the same vocal would refresh my musical hangover: Information technology was laid-dorsum and sauntering, wordless yet somehow condescending, and simply everywhere. Eventually, I identified this melody as "Laxed (Siren Beat)," uploaded by producer Jawsh 685 in 2019 and used in over 55 million TikToks since. It'due south oft prepare as background music for explainer-style content and tutorials, though it also has its ain trip the light fantastic challenge, 2-dimensional and angular in the signature style of TikTok. Like this:

There: Now you have the earworm too. After a few weeks of scrolling on TikTok, I made peace with the fact that "Laxed (Siren Shell)" volition exist playing on loop in my head until I perish.

Much has been written nigh TikTok's impact on music discovery: Thanks to its musical Dna, the app has proved to exist a more effective launch pad for viral songs than any of its social media predecessors, and has secured record-breaking chart positions for artists both well established and previously obscure. But while TikTok may be known to the music industry as a hyperdynamic engine of musical creativity, my experience of TikTok consumption has been 1 of a repetitious purgatory.

This phenomenon is experienced widely enough to have a name: #tiktokbrain. The hashtag has 3.four million views, its entries a parade of users lovingly complaining about the app'due south various audible tics. A prominent sound under this hashtag is called "Stuck in My Head," a rhythmless mashup of TikTok earworms uploaded by user Disfunnyguyrobert in early on August. The sound has been used in about eight,000 videos, with captions similar "trying to slumber afterwards scrolling through Tik Tok for 3 hours."

The design of TikTok has a lot to exercise with why y'all hear the same sounds over and over. A TikTok's basic elements are video and audio, with an endless supply of furnishings available to employ to either. The visual chemical element and sound tin be recorded together and posted as is, like any quondam video you lot might take on your smartphone'south camera. But the characteristic that differentiates TikTok from Vine, its chief predecessor in short-class video, is the ability to record a video for the visual component of your TikTok but easily swap out your own recorded sound with audio uploaded by any other user on the app.

When y'all start creating a video in the app, TikTok suggests 2 durations: fifteen seconds and 60. The one-time is a relic of an old limitation: TikToks could previously just be recorded in xv-second increments, strung together for a maximum duration of 60. Now recording can extend beyond 15 seconds, upward to 60, or longer for videos imported from some other app. But 15 seconds is still a default duration in the interface.

Because of all this, many of the popular songs in TikTok's library of licensed sounds aren't total songs, simply 15-second snippets. And creators rely heavily on the shortcut of using these snippets. That's why, when you open the app and begin scrolling through For Y'all, you'll often hear the same song reused once more and again.

"Laxed (Siren Beat out)" was the get-go viral earworm to torture me, but non the last. Take the Megan Thee Stallion hit "Savage," previously a song I liked by an artist I treasure. Afterward a few weeks on TikTok, this runway has been permanently reduced in my mind to its 15-second edit, used in 31.ii million TikToks. Even the addition of Beyoncé in the remixed version released in tardily April could non save the vocal from its incarnation on TikTok: Scores of young women, a great many of them white, repeating the verbal same trip the light fantastic toe to the exact same loop, "classy, bougie, ratchet" advertizing infinitum.

Even singers are subject to TikTok's culture of repetition. I follow a scattering of incredibly talented teen vocalists I came beyond nether the #harmonizing hashtag—marveling at their skill has genuinely been 1 of the highlights of my year. But their song selection is frequently inspired by a trending song challenge. This is kind of like a dance claiming, but instead of offering their attempt at existing choreography, TikTokers endeavour their luck at a popular riff, harmony, or duet. For example, I was stunned past this take on a Beyoncé riff:

But I dared not navigate to the #halochallenge hashtag this creator included in her explanation, which would have led me to thousands of people singing the exact aforementioned notes. I learned this lesson from the #laymedownchallenge hashtag. This challenge, adjusted from the Sam Smith song of the aforementioned name, is designed to show off iii octaves of vocal range, set against a plunking piano accompaniment unrelated to the original song. Spending only a few minutes scrolling through it i solar day left me feeling like a weary high school theater director after a long 24-hour interval of auditions.

The existence of TikTok hasn't inverse the human activity of musical cosmos all that much. Dances might be a piddling flatter so your entire family tin exercise them in a challenge; hooks might be bassier; pop hits perhaps a bit more gimmicky. But the goal is, equally ever, to create something that resonates with people. Whether that's crafting a catchy earworm, covering one with as much skill and aplomb every bit you've got, or parodying it into something funny and new, the methods are probably as quondam equally the recording industry itself.

What is new is the consumer experience: I dubiousness that any medium has ever bombarded the listener with the same thing over and over similar TikTok does. A spin through TikTok is like going through your entire FM radio dial and hearing the same jingle in nine different ads, the same 15-second sections of three different hit songs playing on four stations apiece, and a smattering of varyingly successful adaptations of songs from years past. When I plough to TikTok to break up the monotony of my socially distanced life, information technology sometimes delivers with artistic surprises and unbridled joy. But only as frequently it plunges me into an audible brain-mush of mind-numbing sameness so bleak I wish I'd never sought it out in the offset place.

In those moments, it crosses my listen that maybe TikTok simply isn't for the consumer, only the creator. The audio-swapping functionality that limits the app musically is what makes the barrier to entry lower than information technology was on whatsoever preceding app: The daunting claiming of the blank page is replaced by an endless list of challenges to try your paw at. Just this raises the question: When you add your own contribution to a pile of same-sounding videos, does it actually satisfy the call to create?

Similar every generation before them, zoomers on TikTok have self-sorted into mainstream and culling factions. It seems to me, a eye millennial, that users who run into themselves as part of #alttikok, #deeptiktok, or #elitetiktok share my complaint about the hyperredundancy of noises on TikTok. They talk up the glitchy, foreign audio they use every bit very rare, oft describing it equally "crunchy" and "cursed," and they mock the predictable dance challenges and lip-syncs of those they telephone call #straighttiktok. But fifty-fifty the platform's weirdos can't escape TikTok's tendency to serve you upwards the aforementioned sounds over and over. This is axiomatic in things like the #alttiktokchallenge, where users score themselves based on how many of these supposedly rare songs they tin can sing every give-and-take to:

One prominent TikTok earworm fifty-fifty seems to originated in the depths of alt-TikTok: The sound known mostly equally "Mi Pan Su Su Sum" was originally a Russian cereal commercial, sang acoustically past user @chernaya.princessa, seemingly sped upwards in a version uploaded past user @isterrrrika, which went viral, appearing in five.seven one thousand thousand videos and counting. This song is both a prominent instance of TikTok'southward functionality obscuring the original creator and the absolute earwormiest of all of its viral earworms. It's permanently lodged in my brain, and I'm not alone in that.

These days, the future of TikTok is uncertain, and it'due south unclear if the modify of buying demanded by President Donald Trump (or a partnership with a U.Southward. visitor, as TikTok's Chinese owners now hope volition happen) will change the culture of the app. I'g of the belief that the things people love about TikTok—the effervescent cheer, the surrealist humor, the maximalist user feel—largely came near not considering of the app itself merely considering of the generation of people powering it. Whatever happens to TikTok, I hope Gen Z continues to take a place to make weird stuff outside of their elders' gaze. Just I also hope that the next big social media platform moves away from a functionality that makes information technology so easy for users to do the same things to the aforementioned sounds. People will notwithstanding notice ways to do all the innovative, hilarious things they want to exercise online, just less repetitively. And maybe, merely maybe, my feel of being alive will no longer sound like this:

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Source: https://slate.com/technology/2020/09/tiktok-brain-send-help.html

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